Gift of Mrs. Ralph M. Coe in memory of Ralph M. Coe · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Headdress (chi wara)
Creator not recorded by the museum
- Date
- early to mid-1900s
- Medium
- Wood, cowrie shells, glass beads, possibly aluminum, iron alloy, upholstery studs, and natural fibers
- Dimensions
- Overall: 44.5 x 66 cm (17 1/2 x 26 in.)
- Country / context
- Mali
- Movement / tradition
- Sub-Saharan African arts
- Collection
- The Cleveland Museum of Art
- Pathway
- Sub-Saharan African arts ↗
Chi wara—a mythical “farming beast”—was said to teach farming to the Bamana people. Carved patterns cover this female chi wara’s body, highlighting its muscles and emphasizing that it is no earthly animal, but rather an agricultural spirit that combines human, antelope, and anteater elements. This example wears earrings and a nose ring of imported metals and beads. Its carver—a blacksmith—used a naturalistic style common south of the city of Bamako. Accompanied by women’s songs, male performers danced paired male-and-female chi wara headdresses affixed to basketry caps at agricultural competitions and weddings.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗
↗Head
Creator not recorded
↗Ancestral Commemorative Head (uhunmwun-elao)
Creator not recorded
↗Water Transport Jar
Creator not recorded
↗Memorial head (nsodie)
Creator not recorded