a✳Art Across
Eras.
EN中文

Purchase from the J. H. Wade Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

China, reportedly from Hunan province, Changsha, Warring States period (475–221 BCE), State of Chu (c. 1046–223 BCE) · 475–221 BCE

鹤与蛇

博物馆未记录创作者

年代
475–221 BCE
材料与技法
lacquered wood with polychromy
尺寸
Overall: 132.1 x 124.5 cm (52 x 49 in.)
国家 / 文化背景
中国
流派 / 艺术传统
东亚艺术
馆藏
克利夫兰艺术博物馆
探索路线
东亚艺术 ↗
馆藏说明(英文原文)

A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements. This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb. The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
在时间轴中定位 ↗打开我的时间轴 ↗

循着联系探索。

探索艺术传统 ↗

发现下一个惊喜。