a✳Art Across
Eras.
EN中文

The Kelvin Smith Collection, given by Mrs. Kelvin Smith · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Japan, Edo period (1615–1868) · 1835–36

《百人一首乳母绘说》之源宗于

葛饰北斋

年代
1835–36
材料与技法
Color woodblock print
尺寸
24.2 x 35.3 cm (9 1/2 x 13 7/8 in.)
国家 / 文化背景
日本
流派 / 艺术传统
日本艺术与版画
馆藏
克利夫兰艺术博物馆
探索路线
日本艺术与版画 ↗
馆藏说明(英文原文)

Katsushika Hokusai designed this print series from the perspective of a confused nurse attempting to illustrate classical poetry but missing the subtle allusions. This interpretation creates what would have been considered a comical disconnect between poem and image. The poem on this print reads as follows: In the mountain village,it is in winter that my lonelinessincreases most,when I think of how both have dried up,the grasses and people’s visits. —Translation by Joshua Mostow While nobleman Minamoto no Muneyuki (died 939) wrote of dying grasses, the nurse imagines instead a lively scene of hunters warming themselves around a fire.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
停下来,看一看

从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?

观看提示 · 邀请你观察,而非对历史的定论。
木版印刷 ↗在时间轴中定位 ↗打开我的时间轴 ↗

循着联系探索。

探索艺术传统 ↗

发现下一个惊喜。