John L. Severance Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
Central Africa, Democratic Republic of the Congo, Luba · early to mid-1800s
权杖
博物馆未记录创作者
- 年代
- early to mid-1800s
- 材料与技法
- Wood and iron
- 尺寸
- Overall: 170 x 13.3 cm (66 15/16 x 5 1/4 in.)
- 国家 / 文化背景
- 刚果民主共和国
- 流派 / 艺术传统
- 撒哈拉以南非洲艺术
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 撒哈拉以南非洲艺术 ↗
馆藏说明(英文原文)
Sanctified by a ritual specialist and enhanced with medicinal substances, the staff possessed supernatural qualities and was endowed with healing power. Luba staffs are among the most important regalia of Luba kings. The metal point alludes to the kingdom's stability and durability. Each staff has its own distinctive iconography to reflect regional styles. As Chief Msidi (former owner of this staff) ruled over the Yeke kingdom (and not the Luba kingdom), it begs the question of how he acquired this symbol of another realm's power.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来,看一看
从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。循着联系探索。
探索艺术传统 ↗
↗Africa, West Africa, Nigeria, Nok-culture style region, unknown female ceramicist · thermoluminescence date 20–620 CE
头像
创作者未记录
↗Nigeria, Benin Kingdom, Ẹdo peoples, members of the Igun Eronmwon (royal brasscasters) guild · possibly mid-1500s or early 1600s
祖先纪念头像(uhunmwun-elao)
创作者未记录
↗Africa, West Africa, Nigeria, Nupe-style pottery, unknown female potter · 20世纪
运水罐
创作者未记录
↗Ghana, Akan-style sculpture, unknown female ceramicist · late 1600s–early 1700s
纪念头像(nsodie)
创作者未记录