Hinman B. Hurlbut Collection · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
沙基酒馆的拳击赛
George Bellows
- 年代
- 1909
- 材料与技法
- oil on canvas
- 尺寸
- Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)
- 国家 / 文化背景
- 美国
- 流派 / 艺术传统
- 北美艺术
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 北美艺术 ↗
Bellows was no stranger to Sharkey’s Athletic Club, a raucous saloon with a backroom boxing ring, located near his studio. Founded by Tom “Sailor” Sharkey, an ex-fighter who had also served in the US Navy, the club attracted men seeking to watch or participate in matches. Because public boxing was illegal in New York at the time, a private event had to be arranged in order for a bout to take place. Participation was usually limited to members of a particular club, but whenever an outsider competed, he was given temporary membership and known as a “stag.” Although boxing had its share of detractors who considered it uncouth at best or barbaric at worst, its proponents—among them President Theodore Roosevelt—regarded it a healthy manifestation of manliness. Around the time Bellows painted Stag at Sharkey’s, boxing was moving from a predominantly working-class enterprise to one with greater genteel appeal. For some contemporaries, boxing was a powerful analogy for the notion that only the strongest and fittest would flourish in modern society.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
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