Dudley P. Allen Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
Peru, North Coast, Chongoyape(?), Chavín style (900-200 BCE) · c. 500–200 BCE
饰牌
博物馆未记录创作者
- 年代
- c. 500–200 BCE
- 材料与技法
- hammered and cut gold
- 尺寸
- Overall: 12.5 x 13.8 cm (4 15/16 x 5 7/16 in.)
- 国家 / 文化背景
- Peru, North Coast, Chongoyape(?), Chavín style (900-200 BCE)
- 流派 / 艺术传统
- 中美洲与南美洲艺术
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 中美洲与南美洲艺术 ↗
馆藏说明(英文原文)
These plaques showing a powerful Chavín deity may come from a group of gold objects found in a lavish tomb in the 1920s. One is shaped as the deity’s fanged head, its fur transformed into sixteen serpents that edge the plaque. On the other, the deity’s visually elusive body also appears: the clawed hands over the chest may clutch a horizontal staff, an emblem of authority; across the waist is a belt that sprouts serpents; and beneath are the legs and feet, which stand atop fanged masks.
馆藏文字 · 克利夫兰艺术博物馆 · CC0停下来,看一看
从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。循着联系探索。
探索艺术传统 ↗
↗Peru, North Coast, Moche style · 200–550 CE
肖像头像容器
创作者未记录
↗Peru, North Coast, Moche style · c. 200–550 CE
肖像头像容器
创作者未记录
↗Guatemala or Mexico, Usumacinta River region, Maya style · c. 795
王室女性浮雕板
创作者未记录
↗Mesoamerica, Guatemala, Department of the Petén, El Perú (also known as Waka'), Maya (250-900), Classic period (200-1000) · 692
石碑正面浮雕
创作者未记录