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Purchase from the J. H. Wade Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

荷兰 · c. 1640–45

多俾亚医治父亲的失明

伦勃朗

年代
c. 1640–45
材料与技法
Pen and brown ink, touched with white gouache; framing lines in pen and brown ink
尺寸
Sheet: 21.1 x 17.7 cm (8 5/16 x 6 15/16 in.)
国家 / 文化背景
荷兰
流派 / 艺术传统
欧美艺术
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馆藏说明(英文原文)

This drawing is a prime example of the Dutch painter Rembrandt van Rijn's innovative approach to biblical narrative, in which he often humanized traditional pictorial formulas through the inclusion of observed details from everyday life. It depicts the climactic moment of the Book of Tobit, an apocryphal book of the Old Testament, in which, instructed by the archangel Raphael, Tobias heals his father Tobit's blindness by rubbing his eyes with fish gall. With spontaneity, a deft hand, and deceptive simplicity in his mark-making, Rembrandt depicts an intimate family scene including the archangel, Tobias, Hannah, and Sarah around a seated Tobit. Hannah’s spectacles, a unique detail among images of the scene created by Rembrandt and his circle, further thematizes sight. Rembrandt’s most innovative addition to the story centers on Tobias, who concentrates intensely to use a scalpel, rather than fish gall, to perform a cataract operation on his father’s left eye. Cataract surgery was a new procedure pioneered in Amsterdam in 1635 by Dr. Job Janszoon van Meekren, and Rembrandt may have witnessed the doctor perform it.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
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