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Andrew R. and Martha Holden Jennings Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Africa, West Africa, Nigeria, Ejagham-style maker · 20世纪初

头饰

博物馆未记录创作者

年代
20世纪初
材料与技法
Wood, rawhide, cane, paint, bone, natural fiber, and metal
尺寸
Overall: 67.3 x 43.2 x 43.2 cm (26 1/2 x 17 x 17 in.)
国家 / 文化背景
尼日利亚
流派 / 艺术传统
非洲雕塑
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克利夫兰艺术博物馆
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馆藏说明(英文原文)

Headdresses or crest masks made of antelope skin stretched over a carved head are a distinctive art form of the Cross River region in southeastern Nigeria and western Cameroon. Worldwide, this practice is unique. This female evocation of ideal feminine beauty was most probably worn by an Ejagham woman in the context of a female society called Ekpa, which was responsible for girls' education in preparation for marriage. The headdress represents a girl who evokes ideal female beauty and is ready for marriage. The depicted hairstyle was worn during the coming-out ceremony following the girls’ seclusion.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
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