Andrew R. and Martha Holden Jennings Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗
头饰
博物馆未记录创作者
- 年代
- 20世纪初
- 材料与技法
- Wood, rawhide, cane, paint, bone, natural fiber, and metal
- 尺寸
- Overall: 67.3 x 43.2 x 43.2 cm (26 1/2 x 17 x 17 in.)
- 国家 / 文化背景
- 尼日利亚
- 流派 / 艺术传统
- 非洲雕塑
- 馆藏
- 克利夫兰艺术博物馆
- 探索路线
- 非洲雕塑 ↗
Headdresses or crest masks made of antelope skin stretched over a carved head are a distinctive art form of the Cross River region in southeastern Nigeria and western Cameroon. Worldwide, this practice is unique. This female evocation of ideal feminine beauty was most probably worn by an Ejagham woman in the context of a female society called Ekpa, which was responsible for girls' education in preparation for marriage. The headdress represents a girl who evokes ideal female beauty and is ready for marriage. The depicted hairstyle was worn during the coming-out ceremony following the girls’ seclusion.
馆藏文字 · 克利夫兰艺术博物馆 · CC0从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。循着联系探索。
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↗饰拟人化文字的韦德杯
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↗丝线与金属线王室地毯
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↗猫科动物形香炉
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↗男性人物像
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