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René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund · 克利夫兰艺术博物馆
图像:公共领域(CC0)· 博物馆记录与图像来源 ↗

Africa, Central Africa, Democratic Republic of Congo, Songye-style carver and nganga (priest) · late 1800s–early 1900s

男性像(nkishi)

博物馆未记录创作者

年代
late 1800s–early 1900s
材料与技法
Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
尺寸
Overall: 64 x 24.5 x 24 cm (25 3/16 x 9 5/8 x 9 7/16 in.)
国家 / 文化背景
刚果民主共和国
流派 / 艺术传统
撒哈拉以南非洲艺术
馆藏
克利夫兰艺术博物馆
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撒哈拉以南非洲艺术 ↗
馆藏说明(英文原文)

This figure's visual impact and workmanship suggest that an extended family––rather than an individual––used it. The raffia skirt around the waist and the blue and white beads are indicators of leadership. The metal appliqué covering the face and the metal blades that hedge the headgear refer to the blacksmith, a culture hero celebrated in a Songye myth narrating the formation of the state. The metal strips on the skeletal face are said to relate to lightning, signaling the figure's role as a powerful anti-sorcerer, but the contrast between white iron and red copper symbolically alludes to the ambivalent powers of the figure.

馆藏文字 · 克利夫兰艺术博物馆 · CC0
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