↗睡莲(百子莲)
克洛德·莫奈
Bequest of Charles T. Brooks · 克利夫兰艺术博物馆
图像许可: CC0 · 博物馆记录与图像来源 ↗
This print belongs to a series of color etchings created by Mary Cassatt between 1890 and 1891. Each was influenced by the artist's study of Japanese woodblock prints, especially in their use of flat planes of color and domestic subject matter. In the scene depicted here, a middle-class woman accompanies her nursemaid and child on errands throughout Paris. The group rides in an omnibus, a form of public transportation where different genders and classes could intermingle. While the nanny's attention stays focused on her young charge, the female subject appears distracted, gazing toward the world beyond.
馆藏文字 · 克利夫兰艺术博物馆 · CC0石墨习作、彩色版画《公共马车中》及后来的粉彩《浴后》,呈现组织亲密场景的三种方法。比较线与宽色面的关系,以及粉彩更柔和或破碎的肌理;媒介变化影响表面和复制性,不决定情感深度。
以下为艺术家整体创作背景,单件作品可能有所不同。
石墨、彩色凹版及粉彩,形成不同肌理与复制性。
鲜明裁切及清楚轮廓,无须复杂叙事背景也能组织亲密关系。
宽阔色面与纹样表面,和粉彩柔和破碎的色彩并存。
从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。