↗睡莲(百子莲)
克洛德·莫奈
Carole W. and Charles B. Rosenblatt Endowment Fund · 克利夫兰艺术博物馆
图像许可: CC0 · 博物馆记录与图像来源 ↗
This print series features thirteen engravings depicting Christ and the Apostles (Christ’s primary disciples). In each scene, an apostle is shown in the foreground, with architecture and landscape behind him that indicate the locales in which he preached Christ’s message, from Rome to India. In the middle ground of each print, the apostle’s martyrdom is enacted with multiple figures, while the party responsible for his death—be it king, idol, or devil—looks on. Martyrdom was tied to sainthood in Roman Catholic theology, and martyrdoms appeared frequently in art made after 1563, when the Catholic Church declared that religious art should create empathetic, personal connections to the saints.
馆藏文字 · 克利夫兰艺术博物馆 · CC0比较早期使徒系列、1592年赫拉克勒斯雕版及约1600年风景木刻。粗细变化的凹刻线塑造肌肉,凸版木刻则通过刻去与保留区域形成形状。黑白同样能暗示人体体积或风景深度。
以下为艺术家整体创作背景,单件作品可能有所不同。
雕版在金属版上凹刻线,木刻则印出保留的凸起部分。
粗细变化的线塑造肌肉,凸版刀痕将风景简化为图形。
黑白亮度来自印刷笔迹的间距和密度,而非绘画提亮。
从眼前可见之处开始:形状、表面、色彩与尺度。所列材料可能怎样影响作品的制作方式与观看体验?
观看提示 · 邀请你观察,而非对历史的定论。