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Carole W. and Charles B. Rosenblatt Endowment Fund · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗

Netherlands, 16th century · c. 1578

Christ, St. Paul, and the Twelve Apostles

Hendrick Goltzius

Date
c. 1578
Medium
Thirteen engravings
Dimensions
Not listed in the source consulted
Country / context
Netherlands
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Attribution / role
Museum attribution
Pathway
European and American art ↗
FROM THE MUSEUM

This print series features thirteen engravings depicting Christ and the Apostles (Christ’s primary disciples). In each scene, an apostle is shown in the foreground, with architecture and landscape behind him that indicate the locales in which he preached Christ’s message, from Rome to India. In the middle ground of each print, the apostle’s martyrdom is enacted with multiple figures, while the party responsible for his death—be it king, idol, or devil—looks on. Martyrdom was tied to sainthood in Roman Catholic theology, and martyrdoms appeared frequently in art made after 1563, when the Catholic Church declared that religious art should create empathetic, personal connections to the saints.

Collection text · The Cleveland Museum of Art · CC0

Place in the artist’s career

Compare the early apostle series, the 1592 Hercules engraving and the landscape woodcut around 1600. Engraved swelling lines model bodies through controlled incisions; a relief woodcut establishes shapes through a different relation of cut and uncut areas. Monochrome can imply muscular volume or landscape depth without painted local colour.

The artist’s practice

Artist-wide context; individual works may differ.

Media and surface

Engraving incises lines into a plate; woodcut prints the parts left in relief.

Marks and structure

Swelling and tapering lines model muscular bodies; relief cuts simplify landscape into graphic shapes.

Palette and light

Monochrome brightness comes from the spacing and density of printed marks, not painted highlights.

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