John L. Severance Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Mount Hua
- Date
- 1506
- Medium
- hanging scroll; ink and light color on paper
- Dimensions
- Painting: 116.4 x 41.4 cm (45 13/16 x 16 5/16 in.); Overall with knobs: 213.5 x 66.7 cm (84 1/16 x 26 1/4 in.)
- Country / context
- China
- Movement / tradition
- Chinese painting
- Collection
- The Cleveland Museum of Art
- Pathway
- Chinese painting ↗
In this work, Tang Yin accumulates towering mountain summits in the manner of the Sung master, Li Tang, to capture the monumental presence of his subject. Tang Yin’s angular brushstrokes and ink washes of varied intensity give texture to the rocky surface and accent the play of light. Mount Hua is situated in southern Shaanxi province in North China. Hardly accessible during Tang Yin’s time, the mountains were frequented by immortality seekers to dwell or collect herbal drugs there.Tang Yin's potentially brilliant career was shattered in 1499 after he went to the capital to take the jinshi examination. He got entangled in a bribery case that caused him to spend seven years in prison. After his release, Tang returned to Suzhou, and settled on a career as a professional painter. One of Tang's few dated works, Mount Hua was painted seven years after this incident.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗
↗Cherry Blossoms in the Wind
Utagawa Toyokuni
↗The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou
Shen Zhou
↗Reminiscences of Qinhuai River
Shitao
↗Playing the Qin in a Secluded Valley
Wen Zhengming