Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
A Mughal courtier
Creator not recorded by the museum
- Date
- c. 1575; border added probably 1700s
- Medium
- Gum tempera and gold on paper, mounted with gold-sprinkled borders
- Dimensions
- Not listed
- Country / context
- India
- Movement / tradition
- Mughal painting · Source ↗
- Collection
- The Cleveland Museum of Art
- Pathway
- South Asian arts ↗
This sensitive portrait is among the earliest surviving individual portraits from the Mughal atelier. He remains unidentified by inscription, since such portraits were made for the emperor Akbar who was unable to read. Realism in portraiture developed under Akbar as a means of keeping records of gifts and promotions without written notations. The figure conspicuously grasps the maroon and gold scarf in his left hand, which suggests that it may have been the gift from the emperor that would have occasioned the portrait. The array of blades he carries indicates that he was conscripted into military service at the Mughal court.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗
↗Cherry Blossoms in the Wind
Utagawa Toyokuni
↗The Thousand Acres of Clouds, from Twelve Views of Tiger Hill, Suzhou
Shen Zhou
↗Reminiscences of Qinhuai River
Shitao
↗Playing the Qin in a Secluded Valley
Wen Zhengming