Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗
Heraldic Lion
Creator not recorded by the museum
- Date
- 900s
- Medium
- Beige sandstone
- Dimensions
- Overall: 76.2 cm (30 in.)
- Country / context
- Vietnam
- Movement / tradition
- Southeast Asian arts
- Collection
- The Cleveland Museum of Art
- Pathway
- Southeast Asian arts ↗
The Cham adopted Indian Buddhist and Hindu religious systems, languages, and the practice of building stone temples and monasteries. The lion, which is ubiquitous on Indian monuments, was also incorporated as a protector at Cham sacred sites. In Champa, however, the roaring and rearing lion imagery is semihuman and distinctively aggressive and extroverted. This powerful figure rearing in a combative pose was formerly in the renowned Pan-Asian Collection of Southeast Asian art assembled during the 1960s and 1970s by one major collector, Christian Humann of the renowned Rothschild banking family.
Collection text · The Cleveland Museum of Art · CC0Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.Follow a connection.
Explore the tradition ↗
↗Tampan Pasisir (Ship Cloth)
Creator not recorded
↗Knife (Mandau) and scabbard
Creator not recorded
↗Triad
Creator not recorded
↗Buddha
Creator not recorded