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COLOUR STUDY

Colour palette

  • #BA9971
  • #CBAF86
  • #A5855F
  • #C1A37C
  • #C7A87E
  • #DBC7A8

Approximate colour proportions

  • #BA997125.8%
  • #CBAF8621.3%
  • #A5855F20.0%
  • #C1A37C14.4%
  • #C7A87E11.8%
  • #DBC7A86.7%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Gift of Leonard C. Hanna Jr. · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗

Italy · c. 1490

St. Jerome in His Study

Filippino Lippi

Date
c. 1490
Medium
pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; pricked
Dimensions
Sheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)
Country / context
Italy
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Attribution / role
Museum attribution
Pathway
European and American art ↗
ABOUT THIS WORK

St. Jerome in His Study is a representative work in our Filippino Lippi guide. The catalogue records pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; pricked. Museum attribution. The linked artist guide places it alongside other works from the artist’s career.

Original educational overview · based on the linked museum record

Place in the artist’s career

The head study concentrates on an individual form; Saint Jerome develops a narrative through ink and wash; the painted tondo coordinates multiple figures within a circle. Compare wash-based tone with tempera-and-oil colour. The head study’s broad date and the other works’ overlap prevent a secure three-stage chronology.

The artist’s practice

Artist-wide context; individual works may differ.

Media and surface

Ink-and-wash drawings and tempera-and-oil panels serve different stages and functions of making.

Marks and structure

Lively figures, intricate detail and constrained formats require carefully coordinated contours.

Palette and light

Monochrome washes isolate tone; painted surfaces distribute colour among clothing, bodies and setting.

Explore the artist’s life and works ↗
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.

Follow a connection.

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