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COLOUR STUDY

Colour palette

  • #4F493A
  • #796F59
  • #97896E
  • #B7A989
  • #B0A283
  • #A59679

Approximate colour proportions

  • #4F493A24.4%
  • #796F5921.3%
  • #97896E16.0%
  • #B7A98913.4%
  • #B0A28312.5%
  • #A5967912.4%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Source: ColBase — Tokyo National Museum
Image licence: CC BY 4.0 · Web image resized for display. · Museum record & image source ↗

Japan · Late 15th–early 16th century

Autumn and Winter Landscapes

Sesshū Tōyō

Date
Late 15th–early 16th century
Medium
Ink on paper
Dimensions
Not listed in the source consulted
Country / context
Japan
Movement / tradition
Japanese art and printmaking
Collection
Tokyo National Museum
Pathway
Japanese art and printmaking ↗
ABOUT THIS WORK

These hanging scrolls contrast an open autumn sky with a winter cliff. Forms lead the eye upward into distance. Sesshū studied Chinese painting during his journey to Ming China; the work invites comparison between inherited landscape conventions and the structural force of his brushwork. The image shows one of the scrolls.

Original educational overview · based on the linked museum record
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.

Follow a connection.

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