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ARTWORK STUDY

Suprematist Composition: White on White

1918

Kazimir Malevich

Material / technique
Oil on canvas
Attribution / role
Collection / source
The Museum of Modern Art

Artwork notes

Artist-wide context

He made simple geometric shapes the subject of painting, without asking them to represent familiar objects.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Painting, prints and teaching diagrams carried the same geometric experiments.

Marks and structure

Squares, crosses and tilted planes can imply weight or movement without depicting objects.

Palette and light

White is an active field, not simply an untouched background.

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