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ARTWORK STUDY

Natural History

1926; rubbings 1925

Max Ernst

Material / technique
Print portfolio after frottages
Attribution / role
See the museum attribution
Collection / source
MoMA — Max Ernst

Artwork notes

The publication date differs from the date of the original rubbings.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Printed fragments, rubbing and scraped paint can supply the starting image.

Marks and structure

Unexpected joins make impossible scenes appear oddly coherent.

Palette and light

Textures can generate forests or creatures before colour gives them atmosphere.

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