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ARTWORK STUDY

Head of a Woman

1932

Pablo Picasso

Material / technique
Sculpture
Attribution / role
See the museum attribution
Collection / source
MoMA

Artwork notes

The subject becomes a volume to explore from more than one direction.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Paint, pasted paper, found materials and clay each demanded a different method.

Marks and structure

Bodies can be drawn with flowing outlines or broken into intersecting planes.

Palette and light

Blue and pink tonal groups, muted Cubist browns and later bright contrasts serve different purposes.

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