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ARTWORK STUDY

Wind God and Thunder God

early 1600s

Tawaraya Sōtatsu

Material / technique
Screen painting
Attribution / role
See the museum attribution
Collection / source
Kyoto National Museum

Artwork notes

Large figures and open ground create a charged relationship across the pair.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Screens, fans and decorated papers demand different scales of handling.

Marks and structure

Simplified shapes and repeated motifs can organise a broad surface.

Palette and light

Ink, metallic grounds and pooled colour let texture and reflection carry the image.

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