a✳Art Across
Eras.
EN中文
COLOUR STUDY

Colour palette

  • #9F8768
  • #A48B6C
  • #968062
  • #9B8264
  • #8A7559
  • #A89173

Approximate colour proportions

  • #9F876820.9%
  • #A48B6C19.0%
  • #96806217.9%
  • #9B826415.9%
  • #8A755915.0%
  • #A8917311.3%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Dudley P. Allen Fund · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗

Italy · second half 1400s

Head of a Young Man

Filippino Lippi

Date
second half 1400s
Medium
point of brush and brown wash and brush and brown wash heightened with lead white
Dimensions
Sheet: 12 x 9.2 cm (4 3/4 x 3 5/8 in.); Secondary Support: 12 x 9.2 cm (4 3/4 x 3 5/8 in.); Tertiary Support: 17.3 x 14.4 cm (6 13/16 x 5 11/16 in.)
Country / context
Italy
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Attribution / role
Museum attribution
Pathway
European and American art ↗
ABOUT THIS WORK

Head of a Young Man is a representative work in our Filippino Lippi guide. The catalogue records point of brush and brown wash and brush and brown wash heightened with lead white. Museum attribution. The linked artist guide places it alongside other works from the artist’s career.

Original educational overview · based on the linked museum record

Place in the artist’s career

The head study concentrates on an individual form; Saint Jerome develops a narrative through ink and wash; the painted tondo coordinates multiple figures within a circle. Compare wash-based tone with tempera-and-oil colour. The head study’s broad date and the other works’ overlap prevent a secure three-stage chronology.

The artist’s practice

Artist-wide context; individual works may differ.

Media and surface

Ink-and-wash drawings and tempera-and-oil panels serve different stages and functions of making.

Marks and structure

Lively figures, intricate detail and constrained formats require carefully coordinated contours.

Palette and light

Monochrome washes isolate tone; painted surfaces distribute colour among clothing, bodies and setting.

Explore the artist’s life and works ↗
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.
Find in time ↗Open my timeline ↗

Follow a connection.

Explore the tradition ↗
Open my timeline ↗

Find your next discovery.