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Gift of Louise S. Richards in honor of William Mathewson Milliken on his 85th year · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗

Germany, 20th century · 1908

The Sea near Staberhuk

Ernst Ludwig Kirchner

Date
1908
Medium
lithograph
Dimensions
Not listed in the source consulted
Country / context
Germany
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Attribution / role
Museum attribution
Pathway
European and American art ↗
FROM THE MUSEUM

Ernst Ludwig Kirchner made this print during the first year that he learned the lithographic process. In contrast to convention, he wished to make it immediately apparent that a lithograph was not a drawing. To do so, he used lithographic wash to draw right to the edges of the stone, abruptly cutting off the composition and emphasizing the stone’s irregular contour with inked edges. The spontaneity of the quickly drawn marks that mimic the weather and wind of the sea, coupled with the emphasis on the materiality of the stone, matched Kirchner’s quest for truth in his art.

Collection text · The Cleveland Museum of Art · CC0

Place in the artist’s career

The 1908 sea lithograph, the street image around 1914 and the 1924 portrait use different print processes and kinds of compression. Compare broken tonal texture with cut relief edges, and how figures or landscape become angular rhythms. Monochrome can be as forcefully expressive as the bright colours of his paintings.

The artist’s practice

Artist-wide context; individual works may differ.

Media and surface

Lithography and woodcut produce different textures within an expressive graphic practice.

Marks and structure

Angular bodies, compressed spaces and forceful cuts make familiar subjects feel unstable.

Palette and light

Black-white contrast can be as expressive as saturated painted colour; the selected prints demonstrate this directly.

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A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.
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