a✳Art Across
Eras.
EN中文

Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗

Italy, Naples · 1606–7

The Crucifixion of Saint Andrew

Caravaggio

Date
1606–7
Medium
oil on canvas
Dimensions
Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)
Country / context
Italy
Movement / tradition
Baroque · Source ↗
Collection
The Cleveland Museum of Art
Pathway
European and American art ↗
FROM THE MUSEUM

Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd. Bowing to public demand, Andrew’s would-be executioners attempted to untie him, but their hands were mysteriously paralyzed. Andrew’s desire for martyrdom was thus fulfilled and he died enveloped in divine light. Caravaggio’s innovative interpretation involves the viewer more closely in the event by presenting the crucifixion as intimate and private, rather than as a gruesome public spectacle. Bold contrasts of light and dark suggest the presence of God. A masterpiece of Baroque painting, Caravaggio’s Crucifixion of Saint Andrew is the only altarpiece by the artist in America.

Collection text · The Cleveland Museum of Art · CC0
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.

Follow a connection.

Explore the tradition ↗

Find your next discovery.