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COLOUR STUDY

Colour palette

  • #C7B289
  • #736551
  • #81745D
  • #A99776
  • #8E7D62
  • #DBCCAA

Approximate colour proportions

  • #C7B28919.8%
  • #73655118.8%
  • #81745D18.4%
  • #A9977617.9%
  • #8E7D6215.9%
  • #DBCCAA9.2%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Leonard C. Hanna Jr. Fund · The Cleveland Museum of Art
Image: public domain (CC0) · Museum record & image source ↗

England, 19th century · 1871

The Coral Necklace

Frederick Sandys

Date
1871
Medium
black, brown, and red chalk
Dimensions
Sheet: 55.9 x 39.2 cm (22 x 15 7/16 in.); Secondary Support: 57.1 x 40 cm (22 1/2 x 15 3/4 in.)
Country / context
England
Movement / tradition
Pre-Raphaelite movement · Source ↗
Collection
The Cleveland Museum of Art
Pathway
European and American art ↗
FROM THE MUSEUM

Closely associated with the Pre-Raphaelite Brotherhood, Frederick Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary, and theatrical circles of the day in London. This is a portrait of Mary Emma Jones, the artist’s favorite model, mistress, and mother of his nine children. An extraordinarily skilled draftsman, here he worked in tone rather than line, delicately drawing in chalk on a rough textured sheet and leaving the low points of the paper untouched to produce a stippled, hazy effect.

Collection text · The Cleveland Museum of Art · CC0
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.
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