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Purchase from the John L. Severance Fund, the Dudley P. Allen Fund, by exchange, and the Sundry Art - Miscellaneous Fund · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗

France · 1728–29

Gold Box

Juste-Aurèle Meissonnier

Date
1728–29
Medium
gold and lapis lazuli
Dimensions
Overall: 3 x 8.3 x 5.2 cm (1 3/16 x 3 1/4 x 2 1/16 in.)
Country / context
France
Movement / tradition
European and American art
Collection
The Cleveland Museum of Art
Attribution / role
Museum attribution
Pathway
European and American art ↗
FROM THE MUSEUM

With its central cartouche, heavy molding, and fluted sides, the design of this box attests to Juste-Aurèle Meissonnier’s interest in architecture. The box is further distinguished by a strong sense of movement, achieved through its dynamic contour, extraordinary level of detail, and the dramatic contrast between gold and lapis lazuli.Such small boxes, known as snuffboxes, were used to hold scented powdered tobacco that was inhaled through the nostrils. Made of precious materials and highly ornamented, they conveyed the owner’s wealth, fashion awareness, sophistication, and social standing. These personal, collectible items were often presented as luxurious gifts. This box was made for the dowager Queen of Spain, Maria Anna of Neuburg, whose coat of arms – along with that of her late husband, Charles II – features on the cover.

Collection text · The Cleveland Museum of Art · CC0

Place in the artist’s career

The 1728–29 gold box compresses ornament into a handheld object; the 1735–38 tureen expands movement across a table; the candlestick turns an upright support into a spiralling form. Compare reflective gold, silver and gilt metal rather than searching for a painter’s palette. Function, viewing angle and maker collaboration shape style.

The artist’s practice

Artist-wide context; individual works may differ.

Media and surface

Precious metal designs rely on specialist fabrication, chasing and finishing.

Marks and structure

Asymmetrical spirals and organic ornament reshape practical objects into moving silhouettes.

Palette and light

Gold, silver and gilt surfaces create colour through material and reflection rather than pictorial pigment.

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A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.
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