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COLOUR STUDY

Colour palette

  • #6F7B88
  • #643524
  • #C67A2C
  • #DBCE6E
  • #EADD7F
  • #BBA368

Approximate colour proportions

  • #6F7B8820.1%
  • #64352419.6%
  • #C67A2C18.2%
  • #DBCE6E16.9%
  • #EADD7F12.7%
  • #BBA36812.5%

Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.

Accent colours

Small, vivid details detected in the image. These areas are already included in the dominant groups above; their percentages are not added to the total.

  • #75863A≈ 0.64%

Photo: Birmingham Museums Trust, CC0 · Birmingham Museum & Art Gallery
Image licence: CC0 · Web image resized for display. · Museum record & image source ↗

England · 1856

The Blind Girl

John Everett Millais

Date
1856
Medium
Oil on canvas
Dimensions
Not listed in the source consulted
Country / context
England
Movement / tradition
Pre-Raphaelite movement · Source ↗
Collection
Birmingham Museum & Art Gallery
Pathway
European and American art ↗
ABOUT THIS WORK

Two figures share a close foreground while a double rainbow opens the distance. Notice how touch, sound and sight become themes through the figures and landscape. The museum records that the Sussex background and the foreground figures were developed in different places and at different times.

Original educational overview · based on the linked museum record
A MOMENT TO LOOK

Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?

Looking prompt · an invitation to observe, not a historical interpretation.

Follow a connection.

Explore the tradition ↗
Open my timeline ↗

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