↗France, late 19th century-early 20th century · c. 1915–26
Water Lilies (Agapanthus)
Claude Monet
ARTWORK STUDY
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Read the artwork notes and catalogue information.Museo Reina Sofía · Catalogue source ↗ · Image policy ↗
France · 1925
Young Woman Combing Her Hair
- Date
- 1925
- Medium
- Oil on canvas
- Dimensions
- Not listed in the source consulted
- Country / context
- France
- Movement / tradition
- European and American art
- Collection
- Museo Reina Sofía
- Attribution / role
- Museum attribution
- Pathway
- European and American art ↗
ABOUT THIS WORK
A domestic grooming subject belongs to Blanchard’s later figure painting. Compare it with Woman with a Fan to distinguish a change of pictorial organisation from a change of medium: both are recorded as oil on canvas.
Original educational overview · based on the linked museum recordPlace in the artist’s career
The 1913–15 Woman with a Fan fractures a figure into interacting planes; the Cleveland Still Life adds sand and collage to painted construction; the 1925 hair-combing figure restores bodily legibility within a structured picture. Compare actual added material, painted colour and the persistence of geometry across the apparent stylistic change.
The artist’s practice
Artist-wide context; individual works may differ.
Media and surface
Oil, sand and collage make surface construction physically present in the Cubist work.
Marks and structure
Geometric planes persist even when later figures become more recognisable.
Palette and light
Contrasting colour planes organise space and emotion without depending on conventional perspective.
A MOMENT TO LOOK
Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.
