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ARTWORK STUDY

The Three Graces

1812–17

Antonio Canova

Material / technique
Sculpture
Attribution / role
See the museum attribution
Collection / source
Museo Canova — Biography

Artwork notes

The three bodies form a connected group rather than three separate portraits.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Clay and plaster models precede the demanding carving and finishing of marble.

Marks and structure

Balanced poses can be calm without being completely still.

Palette and light

Polish and subtle surface changes make pale stone catch light like soft skin.

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