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ARTWORK STUDY

Radha, the Beloved of Krishna

c. 1750

Creator not recorded

Material / technique
Ink and opaque watercolour on paper
Attribution / role
Related school context · maker not recorded
Collection / source
The Metropolitan Museum of Art

Artwork notes

Related Kishangarh context: the museum discusses Nihal Chand’s style, but does not name a maker in this object’s attribution.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Fine paper painting makes small changes of outline highly visible.

Marks and structure

Long eyes and carefully curved profiles can express a literary ideal of beauty.

Palette and light

Clear colour areas, pale architecture and landscape organise intimacy and distance.

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