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ARTWORK STUDY

Untitled

1969

Robert Morris

Material / technique
Felt
Attribution / role
See the museum attribution
Collection / source
MoMA

Artwork notes

Cut strips accept gravity rather than preserve a carved contour.

Materials, marks and colour

Artist-wide context; individual works may differ.

Media and surface

Rigid boards and steel contrast with flexible felt.

Marks and structure

Cutting, dropping and hanging let gravity determine some relationships.

Palette and light

Material colour, shadows and bodily position can replace a conventional painted palette.

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