↗France, late 19th century-early 20th century · c. 1915–26
Water Lilies (Agapanthus)
Claude Monet
Colour palette
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Approximate colour proportions
Estimated from six colour groups in the museum image, including visible paper or borders. Reproduction and lighting affect the result; these are image-area proportions, not pigment measurements.
Bequest of Muriel Butkin · The Cleveland Museum of Art
Image licence: CC0 · Museum record & image source ↗
America · c. 1889
After-Dinner Coffee (recto)
- Date
- c. 1889
- Medium
- graphite
- Dimensions
- Sheet: 20 x 14 cm (7 7/8 x 5 1/2 in.)
- Country / context
- United States
- Movement / tradition
- European and American art
- Collection
- The Cleveland Museum of Art
- Attribution / role
- Museum attribution
- Pathway
- European and American art ↗
FROM THE MUSEUM
Cassatt exhibited prints for the first time in 1880 at the fifth Impressionist exhibition. As the decade progressed, she continued to show her graphic work alongside pastels and paintings. In the spring of 1890, at the Deuxième Exposition de Peintres-Graveurs, she showed a group of drypoints, remarkable in their delicacy and precision, as well as a group of prints made with a combination of aquatint and softground etching that appeared quickly drawn and spontaneous. After-Dinner Coffee is a study for a softground etching with aquatint.
Collection text · The Cleveland Museum of Art · CC0Place in the artist’s career
The graphite study, colour print In the Omnibus and later pastel After the Bath show three ways to organise intimate encounters. Compare line against broad colour areas and the softer or more broken texture of pastel. The shift in medium changes surface and reproducibility, not simply the emotional seriousness of the subject.
The artist’s practice
Artist-wide context; individual works may differ.
Media and surface
Graphite, colour intaglio prints and pastel create sharply different textures and degrees of reproducibility.
Marks and structure
Strong cropping and clear contours organise intimate relationships without elaborate narrative scenery.
Palette and light
Broad colour areas and patterned surfaces coexist with the softer, broken colour of pastel.
A MOMENT TO LOOK
Start with what you can see: shapes, surface, colour and scale. How might the listed materials affect the way this object was made and experienced?
Looking prompt · an invitation to observe, not a historical interpretation.
